My parents came to visit last week, which was awesome. The couple times I've seen people from home it feels almost strange (great, of course, but strange) to see them here...like they've just rocked my little MASA-dance world, and it's a bit mind-boggling. Having my parents here though, didn't seem strange at all, even though I expected it to be a clash of worlds. It was almost as i had been imagining their presence all along, or perhaps, with regular Skyping, it was as if they actually were here.
They spent some time in Jerusalem, and then came to visit me at the Kibbutz. The class they observed was a good one to see, because there was lots of action--It was a Rep rehearsal, putting together a section from "360." They seemed to enjoy wandering around the kibbutz and enjoying the beautiful, flowering, sweet-smelling scenery (Can scenery be sweet-smelling?). And I think found the cafe as wonderful and delicious as I do. :-)
We went to Tzfat that afternoon, which is probably my favorite city in Northern Israel. It is home of Jewish mysticism, the center for jewelers and artists, and the location of beautiful old synagogues. The covered, cobblestone ally where the artists sell their work reminds me a bit of the Old City of Jerusalem, and I absolutely love the atmosphere and the picturesque view of the Galilee. From the first time I was here on Birthright, I fell in love with this city! I’m so happy I got to share it with my parents.
Ally in Tzfat |
View from cafe in Tzfat |
Our hotel, the Hilton, had a gorgeous view of the Mediterranean. My dad and I took a walk along the coast, north to the Port after dinner; it was fun to see everyone out and about, even on a Friday night here (which is Shabbat, but Tel Aviv is a pretty secular city, so tons of cafes/restaurants/bars are still open).
View from the Hilton Hotel |
We also (of course) went to Neve Tzedek, the beautiful, artsy area in south Tel Aviv where Suzanne Dellal is located. I showed them the studios where I take Gaga class, where Batsheva rehearses, and the shops...I love this area so much. The residential area is so picturesque, and the theatre area is just beautiful. Most of the shops were closed, because it was Saturday, but the theatre area was still bustling, and the famous ice cream shop, of course, was open for business. Well, that about sums up their visit!
It's technically Young Adult series, but honestly, they are so dark and disturbing at parts, I don't agree with that categorization. But they really resonated with me in the present time and place. I was reading the second one around the time of Holocaust Remembrance Day and Memorial Day; the books seemed to speak directly about my life here and now, about survival, retaining our humanity, the will to sacrifice, embracing love, and choosing life. I finished the 3rd book just last week. My roommate had gone to bed, and I was starting to get choked up, so I finished the final pages outside my apartment door. Then I took a 1am walk around the kibbutz because I was crying my eyes out and couldn't shake it. I won't give anything away, but it's clearly a very bittersweet ending. Very fitting though, in my opinion. Anyway....very powerful...read it!
Much of this entry was written in a dark theatre, as we are in tech for Nizotzot ("sparkles"), which is our choreographer's showcase. After many technical difficulties involving making a projection of screen captures of Skype conversations, and some complex editing of music, I think I've thoroughly been a pain to the people running my lights and sound....There were still a few lights/sound/movement cues that weren't in synch today, but I hope it goes better during our dress tomorrow. We had our last studio rehearsal last night, though, and my dancers made me very happy! Dance-wise, I think it's really come together, and I hope that the final product will prove that as well.
In general, we are just dancing harder than ever. At the beginning of last week, we started working intensely on a section from "Screensaver." I kid you not, it's the most physically challenging piece of choreography I have ever encountered. In this section, we are dancing (rather, jumping, pas de bourreeing, arching, flinging, and falling) on mattresses. The mattresses absorb all of your weight, so you sink down as you land, and finding the momentum to jump again is the most difficult thing, muscularly and cardiovascularly. The piece is essentially about war--We were given the image of being shot to hold in our mind, as we struggle to keep going. "People keep pushing you down, but you want to live," Mika told us. The emotion of the piece, combined with my will power to want to prove that I can do it, that I can beat my body's limitations, is what keeps me going. Still, it's so incredibly hard, and I haven't been able to get all the way through yet. After the last run-through of the day, I went up to Mika to explain my frustrations--I want to do it so badly (and for me, being so physically strong, it's weird to find myself in a situation where I really can't do something), but no matter how much I tell myself to keep going, my body doesn't obey. It kills the quads the most. And about 3/4 of the way through, I get to the point where my muscles literally stop firing. Of course, I ended up tearing up as I explained how frustrated I am, but I was comforted by the fact that it's difficult for everyone, even all the company members who have done this part before. It will get easier, I was told, and I hope it's true. I really want to be able to do this part, if only just to accomplish it for myself.
So after the Nizotzot show in a few days, this is what I'll be faced with...sore quads and a stiff back. But I'm ready...bring it on. :-)
So much of what I see reminds me of something I read in a book, when shouldn't it be the other way around? I don’t really want an answer. I just want to send this cosmic question out into the void. So goodnight, dear void. -From You've Got Mail
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